In her words, her distinctive and evocative design encapsulated the “work, dedication, care, color, contrast, light and life, day and night” that typifies the people who live there. MontserratĪrgentinian designer Julieta Ulanovsky was inspired to create the original version of this font by signage in Montserrat, the oldest neighbourhood of Buenos Aires. Consequently, it’s a great font for instilling your body text with a natural reading rhythm. Its mechanical skeleton and largely geometric forms are balanced by friendly and open curves, and letters that settle naturally into their given width. Robotoĭesigned in-house by Google’s Christian Robertson, Roboto is a neo-grotesque, sans-serif typeface family with somewhat of a dual nature.
#Helvetica now vk font free
Read on as we bring you 10 free Google Fonts alternatives to the most popular commercial fonts, and explain what each has to offer the cash-strapped designer. So if you can’t afford to licence commercial fonts, it’s a great place to find a no-cost alternative. They’re all open source and available for free, forever. But the good news is, when it comes to fonts, you don’t have to!Ĭarefully curated by one the world’s biggest companies, Google Fonts is an oasis of high-quality digital typefaces. Of course, you don’t want to compromise on the quality of your work. That would be the very definition of a false economy. Whether you’re a student or a recent graduate, living on a tight budget means looking for savings wherever you can, including the assets for your creative projects. Indeed, over the past few years, we’ve seen Google, Apple, Airbnb, and even Coca-Cola all develop their own typefaces–most of which are spiritually similar to Helvetica–for a world in which text needs to scale from tiny to giant without breaking a sweat.10 Free Google Font Alternatives to Popular Fonts It’s a typeface Apple actually used in iOS and MacOS for a brief period before it created its own San Francisco typeface that has since taken over its platforms. Most notably, it would be digitized in 1983 as Neue Helvetica. Monotoype would refine Neue Helvetica (aka Helvetica Neue) as our digital tools evolved and the needs of displaying text did alongside them. It’s gone through several iterations over the years.
Helvetica Now isn’t the typeface’s first major update. The trifecta of micro, display, and text really do feel like they cover everything. Try as I might, I couldn’t break the font. Playing with all of these options on Monotype’s own demo site, cranking up and down the sizes and weights, the typeface feels less like the buttoned up Helvetica you know–which often doesn’t look as wonderful on the screen as you might imagine it in your head–and more like the typographical equivalent of a self-healing cutting board. On top of that, Now features a slew of different weights from very thin to quite bold. “Helvetica Now Micro solves the decades-old spacing and legibility shortcomings” of Helvetica, by splitting the single typeface into three, says Charles Nix, type director at Monotype.